Daylight Again Crosby Stills and Nash
| Daylight Again | ||||
|---|---|---|---|---|
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| Studio album by Crosby, Stills & Nash | ||||
| Released | June 21, 1982 (U.S.) | |||
| Recorded | 1980-1981 | |||
| Studio | Rudy Records Devonshire Sound and Ocean West | |||
| Genre | Stone | |||
| Length | 39:l | |||
| Label | Atlantic | |||
| Producer | David Crosby, Stephen Stills, Graham Nash | |||
| Crosby, Stills & Nash chronology | ||||
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| Singles from Daylight Again | ||||
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| Review scores | |
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| Source | Rating |
| Allmusic |   [1] |
| The Music Box | [two] |
Daylight Over again is the seventh album by Crosby, Stills & Nash, and their 3rd studio album in the trio configuration. Information technology peaked at No. viii on the Billboard 200 albums chart, the final time the band has made the height 10 to date. Iii singles were released from the album, all making the Billboard Hot 100: "Wasted on the Fashion" peaked at No. 9, "Southern Cantankerous" at No. 18, and "Too Much Honey to Hide" at No. 69. The album was certified platinum by the RIAA with sales of 1,850,000.[3]
Groundwork [edit]
The genesis of the album lies in recordings made by Stephen Stills and Graham Nash at intervals in 1980 and 1981 and the album was originally slated to be a Stills–Nash project. They employed Art Garfunkel, Timothy B. Schmit, and others to sing in place of where David Crosby might have been. Executives at Atlantic Records, however, had lilliputian interest in anything but CSN product from any fellow member of the group, and held out for the presence of Crosby, forcing Nash and Stills to commencement paying for the sessions out-of-pocket.[four] They began to turn toward the company's point of view, nonetheless, and decided to invite Crosby to participate at the eleventh 60 minutes.
Crosby brought two tracks to the album: "Delta," where Stills and Nash squeezed their vocals into Crosby's already-taped multi-tracked harmonies, and "Might Equally Well Have a Good Time," which received the bona fide Crosby, Stills & Nash treatment.[five] Most of the recording, however, features other voices in improver to the main trio, a first for whatsoever CSNY record, equally is the number of outside writers. Graham Nash wrote the album's biggest hitting, "Wasted on the Manner," about the time the group spent in squabbles and diversions rather than concentrating on their music. The second single, "Southern Cross", was Stills' partial rewrite of a vocal by brothers Richard and Michael Curtis.[half-dozen] [7] The song "Daylight Again" evolved out of Stills' guitar-picking to accompany on-phase stories regarding the South in the Civil War, segueing into "Find the Cost of Freedom," which had been the B-side of the "Ohio" single in 1970.[8]
Daylight Again was the band's first album in the video age, and a video was filmed for "Southern Cross" featuring the band and one of their favorite metaphors, a sailing vessel. Information technology received a off-white amount of rotation on MTV in 1982 and 1983, and helped to propel the album's sales.
The album has been released on compact disc on 3 occasions: an initial fourth dimension in the 1980s;[9] remastered using the original chief tapes past Sea View Digital and reissued on September twenty, 1994; and again remastered using the HDCD process and reissued past Rhino Records on January 24, 2006, with four bonus tracks.
Track listing [edit]
Side ane [edit]
| No. | Title | Writer(south) | Length |
|---|---|---|---|
| 1. | "Plow Your Back on Love" |
| four:51 |
| ii. | "Wasted on the Way" | Graham Nash | two:52 |
| 3. | "Southern Cross" |
| 4:41 |
| 4. | "Into the Darkness" | Graham Nash | 3:23 |
| five. | "Delta" | David Crosby | 4:fifteen |
Side 2 [edit]
| No. | Title | Writer(south) | Length |
|---|---|---|---|
| 1. | "Since I Met You" |
| three:12 |
| ii. | "Too Much Dearest to Hide" |
| iii:58 |
| 3. | "Vocal for Susan" | Graham Nash | iii:08 |
| iv. | "You Are Live" |
| 3:04 |
| five. | "Might As Well Have a Skilful Time" |
| 4:28 |
| half dozen. | "Daylight Over again/Find the Cost of Freedom" | Stephen Stills | 2:36 |
2006 bonus tracks [edit]
| No. | Title | Author(s) | Notes | Length |
|---|---|---|---|---|
| 12. | "Raise a Voice" |
| originally released on Allies | 2:34 |
| 13. | "Experience Your Dearest" |
| outtake | four:28 |
| 14. | "Tomorrow Is Some other Twenty-four hours" | Stephen Stills | outtake | four:05 |
| 15. | "Might Too Accept a Skilful Time" |
| Crosby demo | 4:xv |
Personnel [edit]
- David Crosby — vocals; keyboards on "Delta"
- Stephen Stills — vocals; guitars all tracks except "Delta," "Song for Susan," and "Might Every bit Well Have A Good Time"; keyboards on "Plow Your Back on Beloved," "Since I Met Yous" "Raise a Phonation," and "Experience Your Dear"; banjo on "Daylight Again"; percussion on "Too Much Honey to Hide"
- Graham Nash — vocals; rhythm guitar on "Turn Your Dorsum on Dear" and "Into the Darkness"; harmonica on "Yous Are Alive" and "Raise a Voice"; piano on "Song for Susan"; organ on "Into the Darkness"; percussion on "Too Much Love to Hide"
Additional musicians [edit]
- Timothy B. Schmit — vocals on "Turn Your Back on Dearest," "Wasted on the Way," "Southern Cantankerous," "Song for Susan," "You Are Live," and "Tomorrow Is Some other Mean solar day"; bass on "Song for Susan"
- Art Garfunkel — vocals on "Southern Cross" and "Daylight Again"
- Michael Stergis — guitars all tracks except "Delta," "Might Equally Well Take A Good Time," "Daylight Again," and "Raise A Voice"
- Joel Bernstein — acoustic guitar on "Wasted on the Fashion" and "Song for Susan"
- Dean Parks — electric guitar on "Delta"
- Gerry Tolman — guitar on "Likewise Much Beloved to Hide"
- Danny Kortchmar — electrical guitar on "Enhance A Voice"
- Mike Finnigan — keyboards on "Turn Your Back on Love," "Southern Cross," "Into the Darkness," "Since I Met Yous," "Too Much Love to Hibernate," "You Are Live," "Might As Well Have A Skillful Fourth dimension," "Feel Your Love," and "Tomorrow Is Some other 24-hour interval" backing vocals — on "Plow Your Back on Love," "Southern Cross," "Since I Met You," "Too Much Love to Hide," and "You Are Live"
- Craig Doerge — keyboards on "Plough Your Dorsum on Love," "Wasted on the Way," "Delta," "Vocal for Susan," "Might Too Have A Skilful Time," "Raise A Voice," "Feel Your Love," "Tomorrow Is Some other Day"
- Richard T. Deport — keyboards on "Southern Cross"
- Jay Ferguson — organ on "Song for Susan"
- James Newton Howard — keyboards on "Raise A Voice"
- George "Chocolate" Perry — bass all tracks except "Wasted on the Way," "Delta," "Vocal for Susan," "Might Every bit Well Have A Skilful Time," and "Daylight Once again"
- Bob Glaub — bass on "Wasted on the Way"
- Leland Sklar — bass on "Delta"
- Joe Vitale — drums on "Turn Your Back on Love," "Southern Cross," "Into the Darkness," "Too Much Love to Hide," "You Are Alive," "Feel Your Love," and "Tomorrow Is Another 24-hour interval"
- Russ Kunkel — drums on "Wasted on the Fashion," "Delta," and "Song for Susan"
- Jeff Porcaro — drums on "Since I Met You" and "Enhance A Vox"
- Joe Lala — percussion on "Wasted on the Way," "Southern Cross," "Into the Darkness," "Since I Met You," "Also Much Beloved to Hibernate," "You lot Are Alive," and "Feel You Love"; congas on "Raise A Vox"
- Wayne Goodwin — fiddle on "Wasted on the Way"; cello organization on "Song for Susan"
- Roberleigh Barnhart, Miguel Martinez, Ernie Ehrhardt — cellos on "Song for Susan"
Production [edit]
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Charts [edit]
Certifications [edit]
References [edit]
- ^ Planer, 50. (2011). "Daylight Over again - Crosby, Stills & Nash | AllMusic". allmusic.com . Retrieved 26 July 2011.
- ^ Metzger, John (2011). "Crosby, Stills & Nash - Daylight Again (Album Review)". musicbox-online.com . Retrieved 26 July 2011.
- ^ "RIAA - Soundscan". Greasylakes . Retrieved 23 December 2015.
- ^ Zimmer and Diltz, p. 226
- ^ Zimmer and Diltz, p. 228
- ^ Liner notes, CSN (box fix), 1991.
- ^ "Southern Cantankerous by Crosby, Stills & Nash". Songfacts.com . Retrieved 3 Oct 2011.
- ^ Zimmer and Diltz, op.cit.
- ^ The date constantly given for commencement generation remastering for digital as issued on meaty disc, October 25, 1990, is the earliest engagement for which amazon.com has records regarding meaty disc releases. So, for whatever CD that came out prior to that, they simply put in that engagement rather than an bodily one since they do not have it. Every unmarried first generation meaty disc was not issued on October 25, 1990.
- ^ Canada, Library and Archives (2013-04-16). "The RPM story". world wide web.bac-lac.gc.ca . Retrieved 2020-07-05 .
- ^ "norwegiancharts.com - Norwegian charts portal". norwegiancharts.com . Retrieved 2020-07-05 .
- ^ a b Kent, David (1993). Australian Chart Book 1970–1992. St Ives, NSW: Australian Nautical chart Book. ISBN0-646-11917-6.
- ^ "Dutch Charts - dutchcharts.nl". dutchcharts.nl . Retrieved 2020-07-05 .
- ^ "InfoDisc : Les Albums (CD) de 1970 par InfoDisc". 2016-01-02. Archived from the original on 2016-01-02. Retrieved 2020-12-11 .
- ^ "Suche - Offizielle Deutsche Charts". www.offiziellecharts.de . Retrieved 2020-12-11 .
- ^ "Sverigetopplistan". Sverigetopplistan (in Swedish). Retrieved 2020-12-11 .
- ^ a b c d "CASH BOX Mag: Music and money car magazine 1942 to 1996". worldradiohistory.com . Retrieved 2020-07-05 .
- ^ "CASH BOX Magazine: Music and coin machine magazine 1942 to 1996". worldradiohistory.com . Retrieved 2021-04-03 .
- ^ "Billboard Twelvemonth End 1983" (PDF). Archived (PDF) from the original on 2021-01-21.
- ^ a b c d e f k h Whitburn, Joel (1991). Joel Whitburn Presents the Billboard Hot 100 Charts: The Eighties. ISBN0-89820-079-two.
- ^ "Dutch Charts - dutchcharts.nl". dutchcharts.nl . Retrieved 2020-12-29 .
- ^ a b "RPM Top Singles Nautical chart" (PDF). RPM. RPM athenaeum. Ottawa: Library and Athenaeum Canada. January 30, 1971. OCLC 352936026. Retrieved September 3, 2016.
- ^ "Infodisc - French Chart Website".
- ^ "American anthology certifications – CROSBY, STILLS & NASH – Daylight Over again". Recording Manufacture Association of America. Retrieved 1 October 2012.
Source: https://en.wikipedia.org/wiki/Daylight_Again
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